"Mama" Ποίημα της Εύας Πατροπούλου - Λιανού μεταφρασμένο στην Αζερική γλώσσα από την Terana Turan Tehlimi

 


Mama

A mother cries for every lost child
A mother cries many tears come to her face

A child is going away from a father's heart
For every lost child

God sends his angels as protection
For every lost child

Send a wish to the stars
PrayFor every lost child

A teardrop in every flower
A bird flies to the sky

To search for every child
Take him from his mother

Open your arms
Open your heart

When you see a child In the streets
he will find a mother

Smile Because maybe you will be the mother of this lost child...

Dedicated to
My mother, to Viky Petropoulou

Eva Petropoulou- Lianou
Awarded author children literary
Poet
Greece



Eva Petropoulou-Lianou çağdaş Yunanıstan şairi, nüfuzlu beynəlxaıq mükafatlarla təltif edilmiş uşaq yazıçısıdır. O, Yunanıstanın Ksilokastro şəhərində anadan olub. Jurnalistikanı çox sevən Eva 1994-cü ildə Fransanın “Le Libre Journal” qəzetində jurnalist kimi fəaliyyətə başlamışdır. Lakin Yunanıstana olan sevgisi onu vətənə səsləmiş, 2002-ci ildə doğma yurda qayıtmışdır. Onun bir çox kitabları nəşr edilmiş, elektron kitabları yayınlanmışdır. “Mən və digər mənliyim - mənim kölgəm” kitabı Saita nəşriyyatında, ingiliscə-fransızca “Ceraldina və göl pərisi”, o cümlədən yunanca-ingiliscə “Ay qızı” kitabları 4 dəfə Oselotos nəşriyyatında təkrar çap olunub. Ədəbi fəaliyyəti haqqında məlumat Haris Patsis Yunan Ensiklopediyasına daxil edilmişdir ( səh. 300). Kitabları Kipr Təhsil və Mədəniyyət Nazirliyi tərəfindən Tələbə və Müəllim kitabxanası üçün təsdiq edilmişdir. Yeni kitablarından əlil Murtiaya həsr olunmuş “Amazon pərisi Murtia" əsəri və Sumi-e rəssamı Dina Anastasiadou tərəfindən illüstrasiya çəkilmiş “Lefkadios Hearn, Miflər və Uzaq Şərq hekayələri” 2019-cu ildə işıq üzü görmüşdür. O, yaxın vaxtlarda ingiliscə “Samuray Noqasın macəraları” kitabını İngiltərənin "Ontime Books" nəşriyyatında çap etdirmişdir. Eva Petropoulou-Lianou mərkəzi Amerikada yerləşən Beynəlxalq Ədəbiyyat İttifaqı və bu qurumun orqanı olan "Şairlər jurnalı" ilə fəal yaradıcılıq əlaqəsi saxlayır. O, ədəbiyyatın təbliği məqsədilə əməkdaşlıq etdiyi bütün qurumlarda yunan şairlərinin yaradıcılığını tanıdır. Eva “Serbiya Alia Mundi Assosiasiyası", “Beynəlxalq Yunanıstan Yazıçılar və Rəssamlar Birliyii”, “Pirey Ədəbiyyat və İncəsənət Cəmiyyəti”, eləcə də Korinf Yazıçılar İttifaqının üzvüdür.

HƏR İTKİN UŞAQ ÜÇÜN BİR ANA AĞLAYAR

Anam Viki Petropoulouya ithaf

Hər itkin uşaq üçün bir ana ağlayar,
Göz yaşları selə dönər.
Gedən hər itkin uşaq
Bir atanın qəlbini dağlayar.
Hər itkin uşaq üçün
Tanrı öz qoruyucu mələyini göndərər.
Sən də hər itkin uşaqçun
Uıduzlara dilək göndər,
Dua et,
Tapmaqdan ötrü
Hər itkin uşaq üçün
Hər çiçəkdə bir göz yaşı damlası.
Bir quş uçur göy üzündə
Hər itkin uşağı axtarmaq üçün.
Ona anasından sonra
Qollarını aç.
Qəlbini aç
İtmiş uşaq görəndə.
Bir gün küçədə bir ana tapacaq onu ,
Gülümsə,
Çünki bəlkə də
bir gün anası olarsan
bu itmiş uşağın,
Anam.

Azərbaycan dilinə tərcümə edən: Təranə Turan Rəhimli








ΒΑΣΙΛΗΣ ΖΙΑΚΑΣ & ILLEGAL OPERATION - «Νύχτα» από το βιβλίο-cd «Μουσικές φωτογραφίες και ιστορίες μουσικές»

 


Νύχτα 

(Δείτε το βίντεο εδώ) 

https://www.youtube.com/watch?v=3kUjqfQhFgI 



 

Ο Βασίλης Ζιάκας, επαγγελματίας μουσικός (ακορντεόν), γράφει τα δικά του τραγούδια, στίχους και μουσική, και τα τραγουδάει με συγκροτήματα σε διάφορους χώρους από το 1988 μέχρι και σήμερα. 

 

Κυκλοφόρησε το πρώτο του προσωπικό cd με τίτλο "Μουσικές φωτογραφίες και ιστορίες μουσικές", Ιούλιος 2022 από τις εκδόσεις ΚΟΡΟΝΤΖΗ. 

Είναι μια συλλογή τραγουδιών με ηχογραφήσεις από το 2013 μέχρι και το 2022.  

 

Μέσα στο cd συμπεριλαμβάνεται και το τραγούδι «Νύχτα» στο οποίο συμπράττει μουσικά με το γνωστό συγκρότημα των Illegal Operation που πάνω από 20 χρόνια κινείται στην εναλλακτική ροκ μπλουζ πειραματική εναλλακτική σκηνή της Αθήνας. 

 



Official links 

https://vasilisziakas.wixsite.com/vasilis 

https://www.facebook.com/vasilis.ziakasaccordion.3/ 

https://www.youtube.com/c/VasilisZiakas/videos 



CROSSON – single “Stop Pretending That You Love Me” από το άλμπουμ ‘Ready, Aim.. Rock!!’

 


 

“Stop Pretending That You Love Me” 

(Δείτε το Official Music Video εδώ

https://www.youtube.com/watch?v=9E0I1dhugIU 


 

 

Οι Crosson φέρνουν ξανά τη χαρά στο Rock n' roll 

 

Οι Αυστραλοί Theatrical Glam Rockers Crosson παρουσιάζουν τη χαρούμενη πλευρά τους με το νέο τους single και video "Stop Pretending That You Love Me", ένα τραγούδι που με το πολύ πιασάρικο ρεφρέν του θα σας μείνει στο μυαλό για πολλές μέρες μετά την πρώτη ακρόαση.  

 

Το video είναι σε σκηνοθεσία του Lord Tim από τους Lord ενώ έχει ως πρωταγωνιστές την πανέμορφη ηθοποιό και μοντέλο με καταγωγή από τη Ναμίμπια και την Αυστραλία Verna Amy McIune και τον ανερχόμενο κωμικό Miles Boland, οι οποίοι μπλέκονται σε ένα πολύ αστείο ερωτικό τρίγωνο που λαμβάνει χώρα κατά την διάρκεια μιας πρόβας των Crosson.  

 

Το "Stop Pretending That You Love Me" είναι το τρίτο video και single από το ολοκαίνουργιο άλμπουμ των Crosson "Ready Aim... Rock!!", η μίξη του οποίου έγινε από τον Duane Baron που έχει συνεργαστεί μεταξύ άλλων με τους Motley Crue, Ozzy Osborne και Poison, ενώ το mastering από τον Dave Donnelly, που έχει συνεργαστεί μεταξύ άλλων με τους Aerosmith, KISS και Cher 

" This album rocks like hell! (My Revelations / Germany)

"I was blown away"  (Fireworks Magazine /  UK)

"An onslaught of pure glam / hair metal"  (Rockallica / Greece)

"Australian glam metal doesn’t come better than CROSSON" ( Heavy Magazine / Australia) 

 

Οι Crosson θα παρουσιάσουν live στην Αυστραλία τον Ιανουάριο του 2023 το πολύ δυνατό θεατρικό stage show τους συμμετέχοντας στο GlamFest 2023 μαζί με τους Faster Pussycat, Wednesday 19, Eclipse, Nuff Z' Nuff, Pretty Boy Floyd και Sisters Doll.  

 

Το άλμπουμ "Ready, Aim... Rock!!" είναι διαθέσιμο για streaming και downloading σε όλες τις ψηφιακές πλατφόρμες, και σε cd σε αυτό το link: https://crosson.hearnow.com 

 

 

Official links 

www.crosson.com.au  

www.facebook.com/crossonrock  

www.youtube.com/crossonrock  

 


 




ΓΡΗΓΟΡΙΑ ΠΕΛΕΚΟΥΔΑ " Με την αγάπη"



Μια μέρα θα πετάξουμε μαζί
με βότσαλα ντυμένοι
και η ποίηση θα γίνει μουσική
ντύσου αγαπημένη
με μυστικά που κρύβει το φεγγάρι
γιατί μόνο το βλέμμα μπορεί
του χρόνου το βάρος ν΄αντέξει.

Κι όταν ο άνεμος τα ίχνη μας σβύσει
εσύ πάτα το χώμα με πέλματα γυμνά
πέρνα τα ορμητικά νερά
τους δρόμους να διαβείς όταν ζυγώνει
η αύρα απ΄τα πελάγη,
πόσο ανάλαφρη θα είσαι στο μπαλκόνι
του κόσμου θα το δεις.

Γιατί μόνο το ω έμεινε να αντηχεί
στου χρόνου τα χάη
να ψάχνουμε έναν ήλιο ψεύτη
για επιβεβαίωση να μας κοιτάζει
να μας γνέφει στου θέρους την παραζάλη
στων χειλιών την λανθάνουσα γεύση.

Των σ΄αγαπώ την έλλειψη από το άγγιγμα
σε ότι έχει απομείνει άκου το θρόισμα
από το κύμα που δεν τόλμησε μια λέξη
να προφέρει,
στη σκιά του παρελθόντος
όταν εγκλωβιστήκαμε ατενίζοντας φορτία
εμείς υψώσαμε την αγάπη.

Γρηγορία Πελεκούδα


Πίνακας : William-Adolphe Bouguereau : The Abduction of Psyche
Από https://en.wikipedia.org/








Short proses and poems by Ha Vinh Tam from Vietnam

 

Short proses and poems by Ha Vinh Tam from Vietnam


Her biography:

Fullname:Ha Thi Vinh Tam
Teacher at Cua Lo High School – Cua Lo Town – Nghe An Province
She loves to write shortstories, passages and poem. In her literature works, lots of memories were described to bring unforgettable moments for readers. Surely, her pupils and students who could enjoy very much for reading her writing. In poem, she used lovely words to speak out inside feelings that influencing a lot to people.


Two short proses

Gai tea – the beloved memory By Ha Vinh Tam

(Translated into English by Hanoi Female translators)

This afternoon, when suddenly listening to the song "That place is my hometown" by musician Manh Chien... "My hometown is sunshine in red field, rain soaked in the mud. My hometown isspicy and salt, clinging to many generations of sad and happy songs... Sweet and bitter... Ficus bengalensis roots of the communal house yard, mother waiting for the afternoon boat, the green tea inviting the fragrance of our whole village…” The drifting song called me back to childhood memories.

“That place” of my hometown was famous for the specialty of Gai Tea. My grandmother was very fond of drinking green tea. Whenever going to the market, she also bought a bunch of green tea to drink for two or three days, usually brewing tea two or three times a day. She said “A bunch of delicious tea having leaves are usually small, thick, slightly yellow, branches not too long, the stem not green but brown. As for the large green leaves, soft with big green stems, it's not our Gai tea”

Every time she opened the bunch of tea, she often picked up the top of the tea branch, removed the yellowed and withered leaves, then arranged them in small bunches, tied them by banana leaves. Her tea selection and arrangement sometimes took an hour. Therefore, tea usually was fresh for a long time. She often told me: "As long as one or two withered leaves left, the teapot will smell badly and not good. Whatever you do, granddaughter. At first, be a little careful, then you will be healthy for yourself, what you do will be good and satisfied."

When washing the tea, she told me "Do not wash the tea many times, not break the leaves, but gently remove the dust or the broken leaves get on it, the tea on the high mountains is clean" When putting the tea in the pot, she also chose a few leaves as a button to compress the top of the teapot so that the tea would be airtight when the water was added. She used water from village wells or rainwater for brewing tea, not from drilling wells. When cooking a wood stove, she chose big and flaming sticks rather than paper or leaves because the smoke would stick to the tea, losing its flavor and characteristic fragrance.

The leaves before being put into the pot, she often rubbed lightly so that when pouring water in, the tea would absorb faster, and water would have a yellow color similar to honey. Even putting water in the pot, she did it meticulously. She poured just boiling water over the leaves and filled about 1/3 of the pot, then poured the water out. This action, she repeated twice. She explained “Step one is to rinse the pot to make it hot and try to see if the water outlet is blocked at the faucet or not. Step two is let the water begin to soak into the tea and pour out the remains in the pot. Finally, she filled the pot with water and incubated the tea in a rattan basket for about 30 minutes to an hour (incubation time depends on whether it is hot or cold). Such a teapot can hold twice, but the next round, water is lighter than the first time. The taste of the tea is very strong, at first, it has a slightly acrid taste, then gradually penetrates the tip and the base of the tongue with a sweet taste.

The tea must be braised to be delicious, fragrant, sweet and yellow, but if it is cooked, the tea will become dense, slightly acrid and dark yellow color, without the gentle aroma of fresh tea leaves. Grandmother often said: "boiling tea is a type of eating out in the moment, quickly coming out of the water but not having the taste of green tea, my dear."

That day, I heard her said and just nodded only, sometimes even passing in my head: "Oh, there's just something to braise about. Why is it so much trouble? Just wash the tea and put it in the pot, boiling water and it is done."

The first time, I braised the tea very badly. Despite being carefully advised by grandmother, the tea I washed that was broken, the tea button was not round like she did, I only poured water once in the pot, not complicated two or three times. The grandmother held a cup of water and shook her head "what did you do with tea, the broken leaves but the tea is still not cooked enough, it's not okay for a girl of Gai tea to lose its brand!"

She strictly told me “Later, pour this pot out to use for bathing, and then cook another pot to drink." At that time, I was very angry, just doing it and feeling uncomfortable. But thanks to that, I knew how to make delicious tea for the right taste of my hometown.

Every time, when my father come back, the tea brewing process was more meticulous. Although, my father was a son-in-law, but she loved as her own son. Since was Gai son-in-law, my father was also addicted to drinking green tea. Grandmother knew that, so when she heard about my father's return, she urged either my mother or me to make a pot of delicious green tea for him. After eating the meal, the whole family gathered around the table of warm, fragrant, sweet, yellow teapot.

Increasingly, more and more I well understood her teachings, even though she was far away now...

And I grew up from braising tea since then!

🌸

Memory seasons of custard apples

This morning, when the sun rose from the pink carpet floating in the silver brown sky to wake up the sleepy town, I wandered to walk through the market. My footsteps stopped in front of custard apple basket with opening eyes of an old woman, her hair was grey. Lots of memory suddenly rushed back... I miss my grandmother.

There was a row of custard apple trees in my grandmother’s garden, along the entrance. In winter, the leaves were darkened, falling, leaving only the thin trunks. In the cold, windy and rainy weather, custard apple trees stood quietly and dignified like guards. After lunar new year, the new buds began to come out, sparsely dotted on the branches. Only those who cared would notice some of these small signs of change.

Because at that moment, everything was wearing a full vitality, the green leaves. All flowers were blooming, only the custard apple trees were still sleepy to begin moving to welcome the spring rain. Around March, when returned from school, in front of my house, thought that I had entered a green paradise. Just a few days later, the leaves were stronger and greener, at the eyes of the branches, there were tiny clusters of flowers that pop out like elegant green buttons on the girls' collars.

Flowers grew gradually, getting long, turning to the green on the outside, creamy yellow on the inside that looked cool and nice. Each flower had only three thick, hard, if separated petals, no sepals, no stamens. Its flower was not colorful, but very rustic, simple and special.

When the night falling, grandmother turned on the light outside the gate, I stood on the second floor balustrade looking down at the flowers like smooth white lanterns hanging from the branches. Every time there was a gentle breeze of early summer passing, the leaves were murmured to each other, the flowers were also shaking with slight smiles, creating a peaceful and pure beauty for the whole garden.

The flower fragrance was light, tenderly. Perhaps rare species that had a strong smell of leaves that overwhelming the fragrance of flowers like custard apple trees. That fragrance, the flower was dedicated to those who liked silence... When the flowers were about to wither or dry, they become dark brown, smooth and spongy, looking like grandmother’s faded velvet shirt. Then, over the time, the flowers gave way for little fruits playing happily with the summer sunshine and wind.

Oh, the small green custard apples, round shapes that looked funny and cute! The custard apples hiding in the leaves and mixing into the green foliage. There were separate fruits, or bunches of fruits that hanging at the branch eyes. The peduncles were usually short and big, strong and brown. When immature, the green custard apples looked like beautiful little hearts.

A little bigger, the fruits turned dark green, hard, eyes half-closed as if still sleepy. As they get bigger, the veins started to turn pink white, the eyes started to expand. The custard apples were big eyes, or small eyes. Until one day, their eyes opened wide, the pink veins like a baby's heel, that was the time the custard apples began to soften, ripen with its fragrance.

In the season, grandmother waked up very early to go out to the garden to pick the fruits with opened eyes. Which fruit was big and ripe, she gave it to my sisters. Every time she touched leaves, would cherish each custard apple on the branch and whispered to them. For some unopened eyes, she whispered: "Oh, you are so big, but have not opened your eyes, wake up quickly". For other, the grandmother shouted "This small fruit but so fragrant". Some others, she was gentle " It's almost beautiful, cheeks are a little bit pink". Sometimes, she said: "grow up fast, grow up fast".

Was the garden loved and cared by the grandmother, that every year it was full of fruit? The big baskets of big, round, nice custard apples followed grandmother to the market to exchange lots of gifts for us... In holidays, sitting at home, waiting for grandmother back from the market, the feeling of time was so long, so slow. But there was nothing more fun than seeing her voice talking and laughing with the neighbors in the alley.

At that time, no matter whatever doing, my feet would jump and run to meet my grandmother in boundless joy... It turned out that she was a fairy in the fairy garden and in our peaceful childhood... Lately, a long time later, when she was gone, we were just realized... However, at the silly age, was at her side, I sometimes made her sad. Grandmother, please forgive me!

The custard apple seasons were continuously back, without an appointment according to the law of nature. When it began in the season, it was also near her death anniversary. Custard apple shadows were less sparse than before, but the memory about grandmother was always full of the familiar garden. I picked up a dried flower and placed it in the palm, spreading out like three hands of a clock... Time seemed to stand still, motionless... Their eyes seemed to tear up…


5 poems:


Aimlessly singing for myself

It's been a long time the woman didn't sing
Reaching to pick up a fallen leaf
Gathering memories to open a remembered sky
These are warm hands
These are smiling eyes

Heels used to be stamped
Trembling passions
… These are
One day away from the city…
“Sad city on Sunday”

One day putting my age on the porch
"What age are you?"
The whispering woman
Spring is moving in the bunch of chrysanthemums
Warm sunshine is sowing at the doorstep
Looks like someone's cheeks are blushing!

🌸


Talking to myself

Even you, I feel far away
Heaving rainy night
wading in memories
Ruminant face
Afraid of foolish spring
Clumsily hesitating to unfinished dream…

The breath of heaven and earth, full of the grapefruit fragrance white in the yard
Covering with green sprouts .. stretching mountain ears
My heart is afraid… confused
Waiting side waiting for
Have a noon dream!

"Not everyone knows to sing folk songs"
Whole life
I only know green…the green color like grass
The song "Uh oh" mother cherished for a time
I just follow
believe in myself…

Life goes on no matter it is
I love myself
like a tree
Even though the leaves falling, still preserves from the ground
Day after day... the fruit will be sweet in next season.

🌸

The waking

Startled
Fragrance
Where?
One,
Two,
Three,
… Entangled full of corner of a table
Dedicated to red rose petals

Only stamen left
Why is it still fragrant?
Strange
Breath
want to tear …
The light
Your smile sparkled the green!


🌸

Talking to the lilies

I have already passed March
The bird footprints are at the canthus
A restless vow
A restless moon…
We are transparent together

The lilies have bloomed
White lilies
Leaning lilies
The flower vase is lovely
Brightening up a corner of the house…

Hey you,
We are transparent together
Forever
I
You
Still an asymptote!
We silently cry and laugh, sad and happy
Together side by side
Understanding …
A look also roams in each other
A look at… hey you

the lilies want to cry
The pure white tear that April fills with memories
Memories to love, love to memorize….
April is coming….!

🌸

Summer and me?

Summer is hesitating with rain and sunshine
As if it is still autumn
Passing through warm spring
Still entangling with cold breeze!

Summer is sleepy in the clouds
The sun misses the wind
Knitting into fluttered autumn
Waking up red delonix regia in the school yard

I already told my heart to step
After stopped, why still compassionated You?
Thought it is summer with hot sunshine
Why is it suddenly cold?
I'm past through the frivolity
why still passionate?

Oh no, I don't understand anymore
Every season it is confused
I give in this math
The more subtract, the more adding!
Yeah, that's me
Pink spring when the age is already autumn…







NEΟ βίντεο κλιπ για τους PITCH BLACK MENTALITY ("Fortress" μέσα από το άλμπουμ "World Final Wake")

 




NEΟ βίντεο κλιπ για τους PITCH BLACK MENTALITY ("Fortress" μέσα από το άλμπουμ "World Final Wake")



Η μπάντα :

 Οι Pitch Black Mentality είναι ένα project από το Μπέργκεν της Νορβηγίας, που ιδρύθηκε από τον Frank Natås, το 2011. Ένα άλμπουμ κυκλοφόρησε τον χειμώνα του 2012/13 με το όνομα The Pitch Black Reality. Ηχογραφήθηκε εν μέρει στη Νορβηγία και τη Χιλή (ντραμς και μπάσο) Το line up για αυτό το άλμπουμ ήταν:
Frank Natås - κιθάρα
 Jarle H Olsen - lead κιθάρα
 Christian Carasco Lara -τύμπανα
Rodrigo Garcia Gonsales - μπάσο
Tore Christer Storlid - φωνητικά

Το τρέχον line up είναι:
Frank Natås - κιθάρα και φωνητικά
Jarle H Olsen - lead κιθάρα
Bjarte K Helland - ντραμς
Tore Christer Storlid - μπάσο και φωνητικά


Η μουσική

 Οι Pitch Black Mentality παίζουν σύγχρονο μελωδικό thrash metal, με σαφείς επιρροές από τις thrash μπάντες του bay area της δεκαετίας του '80, καθώς και την ευρωπαϊκή σκηνή - τη σουηδική metal σκηνή από τη δεκαετία του '90 ιδιαίτερα. Η μουσική μας είναι βασικά μίξη της μουσικής με την οποία μεγαλώσαμε, διαμορφώνοντάς μας ως μουσικούς.

Ο ήχος

Θέλουμε να βρούμε το γλυκό σημείο ανάμεσα στο να ακουγόμαστε βάναυσα βαρείς και ταυτόχρονα να χτίσουμε τα τραγούδια μας με πιασάρικες μελωδικές δομές. Νιώθουμε ότι η καλή μελωδία είναι αυτή που οδηγεί κάθε τραγούδι, όσο βαρύ ή βάναυσο κι αν είναι. Δίνει στο τραγούδι μια ταυτότητα, διατηρώντας το ενδιαφέρον στο αυτί. Αν είχαμε ποτέ μια αποστολή με τη μουσική μας, θα ήταν να σερβίρουμε metal μουσική σε αυτούς που δεν είναι οπαδοί του metal, αποδεικνύοντας ότι το metal είναι για όλους. Επειδή είναι! Δεν φοβόμαστε να βάλουμε "sing along" θέματα σε κανένα από τα τραγούδια μας! Όσο για το βαρύ μέρος, μπήκαμε όλοι σε αυτό το άλμπουμ, συμμετέχοντας στο καλύτερο μεταλλικό στούντιο της Σκανδιναβίας, το Fascination Street Studio με τον Tony Lindgren και τον Ricardo Borges στη μίξη και το mastering. Αυτό ανέβασε σημαντικά τη μουσική μας, κάνοντας τον ήχο πραγματικά βάναυσο, άμεσο και βαρύ.

Το άλμπουμ

Το άλμπουμ ονομάζεται World Final Wake Περιέχει 9 τραγούδια. Όλα τα τραγούδια έχουν γραφτεί από τον Frank Natås-μουσική και στίχοι. Η μουσική γράφτηκε σε ένα χρονικό διάστημα 5 ετών από το 2015 έως το 2020. Μερικά από τα riff είναι ακόμη αρκετά παλαιότερα. Όλη η μουσική ηχογραφήθηκε στο Μπέργκεν σε ιδιωτικά στούντιο της Νορβηγίας. Μιξαρίστηκε από τον Ricardo Borges και το mastering είναι του Tony Lindgren στα Fascination Street Studios της Σουηδίας.
1 Fortress
2 Dahaka
3 True Parasites
4 Eternal Night
5 Fear The Rising Sun
6 Legacy
7All Wther In Autumn
8 The Wall
9 World Final Wake

Θέματα των τραγουδιών:
Αυτά που βλέπουμε σήμερα στα νέα, το κλίμα να ξεφεύγει από τον έλεγχο, η έλλειψη τόσο θέλησης όσο και ικανότητας να κάνουμε κάτι γι' αυτό. (World final wake, True Parasites , Fear The Rising Sun). Προσωπικοί εσωτερικοί αγώνες: (Fortress, The Wall) Τραγούδια για το να μην αποδέχεσαι τη μοίρα σου : (Dahaka, Eternal Night , Legacy, All Wither In Autumn)

Είδος: Thrash metal, alternative metal, μελωδικό death metal

Στους θαυμαστές αρέσουν επίσης: Metallica, Testament, Megadeth, Pantera, In Flames, Arch Enemy, Soilwork, At The Gates










Παρουσίαση του βιβλίου "Δακτυλικά Αποτυπώματα" του Κώστα Νούσια